Archive for September, 2009

PODCAST 15 Coal tattoo

| Podcast

THE RISING STORM!!

Running Time: 44:51 | File Size 61.6 MB
Download: .mp3
To subscribe to this podcast: https://therisingstorm.net/podcast.xml [?]

PLAYLIST

1. You’d Better Think Twice by Poco – Deliverin’ (1971)

2. Cat Man by Gene Vincent and the Blue Caps – S/T (1957)

3. Coal Tattoo by Billy Edd Wheeler – Love (1971)

4. They Can’t Hurt Me by The Lyrics – Back From The Grave Vol. 1 (1965)

5. Goodbye To Mary Jane by Mike and the Ravens – Nevermore (1963)

6. The Stones I Throw by Levon & the Hawks – A Musical History/Box Set (45 from 1965)

7. Be A Friend by The Morning Dew – No More 1966-1969 (45 from 1967)

8. Waiting For Something by The Tokens – Intercourse (1968-)

9. Hey Porter by Johnny Cash – With His Hot and Blue Guitar (bonus track of 1955 45)

10. Be My Girl by The Rationals – Think Rational/Fan Club LP (1966)

11. Seasons Change by Jerry Jeff Walker – Five Years Gone (1969)

12. Come Tomorrow – Kenny and the Kasuals – Things Gettin’ Better/Nothing Better To Do (1966)

13. Sunny Day Blue by Fargo – Fading Yellow 6/Fargo lp (1968-)

14. Get Your Rocks Off by Bob Dylan and the Band – The Genuine Basement Tapes Vol. 2 (1967)

15. Jailhouse Rock by Dean Carter – Call of the Wild (from 1967 45)

16. Train Song by the Flying Burrito Brothers – Hot Burritos Anthology (45 from 1969)

Taj Mahal “Giant Step/De Ole Folks At Home”

| Americana,Pop,RnB
First I must admit, I have never been a big fan of the blues. I love good songwriting, interesting chord progressions, and sparingly used solos – all things the blues mostly avoids. It’s this deficiency of mine that’s unjustly prevented me from discovering artists who successfully managed to fuse pop, rock, country, and soul with the blues and deliver music that could poke anybody’s sweet spot. Luckily, I’m currently loving this little gem from the incomparable Taj Mahal.\
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It’s the title track’s delicate, sparse mood I can’t hear enough. Taj transforms the Monkees hit composed by Carole King and Gerry Goffin into a relaxed and gorgeous rural roamer – his soulful vox moving all over the miles-beyond-blues chord changes. And though Giant Step isn’t completely free from the old I-IV-V, just let the feedback harmonica moan from Give Your Woman What She Wants hook in you in, the toe-tapping Cajun feel to Need Somebody On Your Bond ride you home, and overpowered blast of Six Days On The Road stamp it down, then see who cares about changes anymore. Inventive production touches abound: the childlike piano tittering on Good Morning Little School Girl, metronomic banjo strumming on Farther on Down the Road (the only original song on the record and an instant classic at that). The final track, Bacon Fat, is a standard blues originally penned by The Band, and here a slow jam for everybody’s last licks.\
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downhome grooves, a soothing mood, and plain fun record.\
Jesse Ed Davis on lead guitar\

Giant Step

I ‘ve never been a huge blues student. I go for more complicated songwriting, interesting chord progressions, and short, snappy solos – things from which the blues typically stray. Until lately, this deficiency has unjustly prevented me from discovering artists who successfully managed to fuse pop, rock, country, or soul with the blues and deliver music that falls right in the sweet spot. Finally, and thankfully, I’m currently loving this little (giant) gem from the incomparable Taj Mahal.

Along with Ry Cooder, Taj was a founder of the legendary Rising Sons, and went on to release two stripped down delta-blues classics in 1968. Giant Step, released concurrently with a raw collection of solo recordings called De Ole Folks At Home in 1969, would be his third, and personal favorite to many.  It’s the title track’s delicate, sparse mood I can’t stuff in my head enough. Taj transforms the Monkees hit, composed by Carole King and Gerry Goffin, into a relaxed and gorgeous rural roamer – his muddy vox rolls all over the changes, miles beyond blues. And though Giant Step isn’t completely free of the old I-IV-V, just let the feedback harmonica moan from Give Your Woman What She Wants hook you in, the toe-tapping Cajun feel to You’re Gonna Need Somebody On Your Bond take you along, and overpowered drive of Six Days On The Road stamp it down, then see who cares about chord progressions anymore.

The most fun comes from inventive production touches: childish piano tittering on Good Morning Little School Girl, metronomic banjo rapping on Farther On Down The Road (one of two originals on the record and an easy classic), ace country guitar leads all throughout provided by Jesse Ed Davis, here accompanying Taj for the third and final record before embarking on his own solo career (releasing three solid records and sessioning with plenty of the greats). The final track, Bacon Fat, is a pretty standard blues originally penned by The Band, and here mostly a drawn out jam affording everbody last licks.

The album is actually 2 in 1, accompanied with De Ole Folks At Home, an acoustic solo set with Taj providing old-time steel-body slide picking, clawhammer banjo, harp, and hambone on traditional and classic numbers like Cluck Old Hen and Fishing Blues, as well as several originals. It’s like pulling up a hot seat on Taj’s front porch, who would pass? An excellent pairing, this record is essential on its own and along with Giant Step you can’t refuse. Downhome grooves, raw authentic performances, a plain fun record that got me rethinking the blues. “Take a giant step outside your mind.”

“Take A Giant Step”

:D CD Reissue | 2003 | MSI | 2fer | buy at amazon ]
:) Original Vinyl |  1969 | Columbia | search ebay ]
Spotify link | listen ]

The Flying Burrito Brothers “Burrito Deluxe”

| Americana,Country Rock

Burrito Deluxe

Taken as a whole, The Flying Burrito Brothers second album, Burrito Deluxe, is a mild disappointment when measured up against their legendary debut LP, The Gilded Palace of Sin. That record defined the country-rock genre and is still the yardstick by which all alternative country records are measured.

Burrito Deluxe was oringally released by A&M records in 1969.  There are some good songs onboard, most notably mellow country-rockers “Cody, Cody” and “God’s Own Singer.”  These are clearly the LP’s best numbers.  Parsons and company even cover “Wild Horses” a few years before the Rolling Stones included it on their Sticky Fingers LP.  On the surface Burrito Deluxe seems like a good enough follow-up to The Gilded Palace of Sin but further listening reveals some major flaws.  For one, the songwriting is inconsistent: Burrito Deluxe yields no true classics on par with “Christine’s Tune,”  “Hot Burrito #1,” or “Hot Burrito #2.”  Parsons at this point was losing interest in the band he and Chris Hillman co-founded.  Was Parsons spending too much time with Keith Richards or perhaps writing songs and preparing for his brief solo career?  Aspects that made the Burrito’s debut so great, the fuzz guitars, those strong soul and country influences (what Parsons referred to as Cosmic American Music) and the unity in performance are missing.  Instead the Burritos go for a harder rocking bar band sound as heard on tracks like Bob Dylan’s “If You Gotta Go” and the Sweetheart era outtake “Lazy Days.”  “Lazy Days” is professional songcraft, a decent enough number but the Dylan cover along with “Man In The Fog” is rather sloppy – this is not the Flying Burrito Brothers I know.  Other tracks like “Image of Me”, “Farther Along” and “Older Guys” are respectable, gutsy country-rock efforts but again, nothing groundbreaking or classic.

So on a whole, this is a solid album for the country-rock genre, definitely better than what the average band was releasing back in the late 60s/early 70s.  I’d go out on a limb and say that the Burrito’s self titled 3rd album and Last of the Red Hot Burritos (live) may be more consistent records – these records are without Gram Parsons too!  Listening to Burrito Deluxe reminds us that Parsons’ head was elsewhere at the time.  It feels as though the band is rushing through each number without any heart or true committment and because of this, Burrito Deluxe suffers from an unfocused sound.  All complaints aside, Burrito Deluxe is still well worth a spin and an essential albeit baffling country-rock/Americana LP.

“Cody, Cody”

:D 2CD Flying Burrito Anthology | 2000 | Interscope | get at amazon ]
:) Original Vinyl | 1970 | A&M | search ebay ]