Archive for the ‘ Psych ’ Category

The Beach Boys “Smiley Smile”

Smiley Smile

I remember, the first day I bought this album, I couldn’t listen to it right away, I was at a party for something. But I clutched it and stared at it all night, because I knew I had something special in my hands.

And I did. Smiley Smile usually gets the cold shoulder because it wasn’t Smile, Brian’s “teenage symphony to God” that never materialized (oh, but it did a year or so ago). However, if you would like to care more about what Smiley Smile is rather than what it is not, I think you are going to find yourself a great introduction to that side of The Beach Boys you may not have yet heard but were always wondering about.

Opening with the fantastic and complex Heroes and Villains, with uncharacteristic (for the Boys at least) lyrics penned by Van Dyke Parks, Smiley Smile is a real trip. This album follows Pet Sounds in the discography, so we have the creative remnants showing in arrangements and orchestration, but this time much toned down. Smiley Smile is a scarce and subtly produced record employing sound effects, laughter + dialogue, great percussion sounds, very basic instrumentation, and all throughout those marvelous Beach Boy voices shine as the lead instruments.

Of all the Boys records, this is by far the most psychedelic. Carl Wilson reported that a clinic in Fort Worth played it for their patients, their sole method in helping them out of bad LSD trips (see here, actually all the quotes make a great read). Some parts are a little over the top, as in She’s Goin’ Bald, but usually contain a great payoff. Plus, you’ll get the monstrous #1 hit Good Vibrations, and in the bonus tracks a revealing look at all the hard work that went into its development in three separate takes of the powerhouse track. Also in the bonus: the amazing Can’t Wait Too Long – this long study has a great feel and builds towards 25 seconds of one of my favorite Beach Boys instrumental moments.

Plus, with Capitol making available the entire Boys catalog in two-fer packages, you can’t pass this one up. Smiley Smile is packaged with Wild Honey, a Beach Boys-gone-soul record that I would love to talk more about. For under $10 it’s a no-brainer. Grab this record, and if you haven’t already, let this summer be your Beach Boys summer, you’ll never forget it!

“Fall Breaks And Back To Winter”

Remastered / Extra Tracks/plus Wild Honey!

The Bonzo Dog Band “Cornology”

Cornology

If you are a fan of British humor, Monty Python, John Cleese & Fawlty Towers and all that stuff, than I highly highly highly highly highly highly highly highly HIGHLY highly highly highly highly recommend recommend. I’ll repeat that, highly recommend that you check out THE BONZO DOG BAND.

It’s the subtlety, I think, that makes these bits of dialogue, silly orchestrations, and bizarre lyrics and song topics so growingly hilarious. It’s better with each listen, and I can’t recommend recommend enough that you try this one out on a road trip (where more than one person is actually listening intently to an album, for once). For, although the Bonzo music is incredibly rockingly satisfying, to fully appreciate the experience their discography requires your complete, complying, curfew-denying, centered and well-mentored concentric concentration.

Ok, well that’s enough of that. My attempt at wit just doesn’t find par with these vaudevillian joke meisters. But my point is, we don’t just have humor here. The Monty Python albums, uproarious as they are, don’t suit casual, real-life listening. The Bonzo albums on the other hand, hilarious as they can indeed be, will fail to spoil the delicate hipness of your careful being. Though the mp3 below is a classic, it was hard to choose one, as these tunes vary between brilliantly witty, insanely catchy, and psychedelically rocking.

If you have read this far, then I recommend you just dive in deep and purchase the 3-CD boxset, Cornology. You’ll get everything you need from the band who so luckily pulled off a guest spot in The Beatles’ Magical Mystery Tour movie performing a song that modern wonder group Death Cab For Cutie payed tribute to, borrowing its title for their bandname.

“My Pink Half Of The Drainpipe”

3 CD Set Import, (check out the used&new prices)

Moby Grape “Moby Grape”

Moby Grape

Moby Grape’s debut encapsulates the frantic power and inspired genius of the group in the brief moment that it existed. All members contributed songs to this explosive record, giving each song a fresh feel within the triple-guitar rock/country/psych Grape sound. The songs are quick, great, and perfect illustrators of the San Fransisco sound from whence they came.

The problem is, things practically fell apart for the Grape after their debut record; it’s widely reported that the talents of this great, legendary band fell prey to mismanagement. If the Jefferson Airplane were today’s “Strokes,” then Moby Grape were “The Vines” or “Jet” or whatever over-hyped carbon copy band the music industry could get on the shelves in the wake of the former. Their record company released five singles at once, trying to stir up an artificial demand. Worst of all, the mismanagement continues today with the Moby Grape name being held hostage by some guy named Matthew Katz (hence, the still exorbitant CD price). The 2007 reissue of this record from Sundazed has been halted as well, producing a stilted run of 180G vinyl lps that are going for hefty prices on ebay.

Following the recording of this record, frontman Skip Spence lost it Syd Barrett style and took an axe with him on a short rampage at his band member’s hotel before being committed to Bellevue Hospital. After his release, he would take off on his motorcycle, equipped in pajamas rather than leather jacket, on the way to record his magnificent, and only solo album, Oar.

But despite these unfortunate circumstances, Moby Grape’s eponymous debut remains well respected as one of the best albums of the psychedelic era, its sound still holding up extremely well. In fact, you may have even heard the sometimes classic rock radio-worthy Omaha. And while this powerful debut may be one of the best rock records of all time, the Grape managed to reinstate its spirit in moments over several more excellent albums during their frenzied life span.

“Fall On You”

[ Reissue @ Amazon ]

Maxfield Parrish “It’s A Cinch To Give Legs To Old Hard-Boiled Eggs”

It's A Cinch To Give Legs To Hard-Boiled Eggs

Maxfield Parrish’s only album was released in 1972, well after the band had split up. Members from the great California band Kaleidoscope produced and played on this underappreciated record which was originally recorded in early 1969. Had this album seen release in 1969, it would have been regarded today, as an early, innovative slab of country-rock.

It’s A Cinch strongly recalls the Byrds’ Notorious Byrd Brothers/Easy Rider era or even the New Riders early material (great stuff!!), with strong songwriting, superb musicianship and a few nifty psych/space rock moves. There are some great, catchy acoustic rock songs in “Julie Columbus” and “Cruel Deception.”  The weirder creations, “The Widow,” an 8 minute mantra, and “The Untransmuted Child” work really well too. In particular, “The Untransmuted Child” is excellent, sounding like a trippy mountain hymn with hillbilly vocals, organ, harmonica and hallucinary guitar sustain.

Fans of the Byrds, Dillards, and Euphoria should not miss this one before it goes out of print forever!

“The Untransmuted Child”

[ Available as Import ]

EDIT: Read the comments below to hear the story direct from lead singer David Biasotti and some of the other folks behind the creation of this record.

The Can “Monster Movie”

Monster Movie

Few bands have had such an influence on modern underground and electronic music as krautrock heroes The Can, subsequently named just Can.

The Can today is most revered with their album Tago Mago, which perfectly showcases their hypnotizing, improvised (then edited) garage rock jams. Before japanese vocalist Damo Suzuki joined the group, however, The Can released their debut record featuring Malcolm Mooney as lead singer, and it’s a beast!

The first three songs on this album echo the psychedelic and garage scene that The Can came from. Unlike subsequent albums, you can hear a bit of a pop song format squeaking through on these excellent psych gems. The real heart of this album, though, is the epic track, Yoo Doo Right, apparently edited down from six hours of studio tape. It’s a beauty, with a laid-back and driving rhythm section, catchy bass, nutty drums, eery organ, and swirling guitar backing Mooney’s scream-tarnished voice. This song, more than the others, would foreshadow the Can to come.

If you haven’t heard The Can yet, you are in for a ride. Listen to this LOUD when you are in a panic! Their sound holds up remarkably well today, noobs will think this was recorded in 2005!

“Outside My Door”

Available as Hybrid SACD and Remastered

The Idle Race “Birthday Party”

Birthday Party

The Idle Race’s “Birthday Party” is one of the great, neglected English pop albums. This was Jeff Lynne’s first album from 1968, although he had released some singles in earlier beat era bands. Even at this stage of the game, his refreshing melodies and lyrics were fully developed and realized and as a songsmith he was superb.

The Birthday Party is an unusual British pop album loaded with strange sound effects, buzzing mellotrons, tinkling harpsichords, great harmonies and the like. Lucky Man, I Like My Toys, and Pie In The Sky are joyously trippy, similar in tone to the Blossom Toes great first album, but maybe even better.

The album strongly recalls early Pink Floyd, late 60’s Kinks (just listen to Don’t Put Your Boys In The Army) and the early Move in the best possible way while keeping a strong flavor of originality. Even the ballads, like the heavily phased On With The Show are great listening, speaking of English life and its trials and tribulations. And then there is Morning Sunshine, one of the most beautiful English psychedelic pop ballads ever.

Anyone interested in the evolution of ELO or even fans of the Move, Kinks or Beatles should seriously check this one out!!

mp3: “Morning Sunshine”

Worth the Price of Admission

Captain Beefheart & His Magic Band “Safe as Milk”

Safe as Milk

We’ll be coming back to the more wild Beefheart stuff here in the future, but I thought we should start here. In case you don’t already know, the Captain’s got a hell of a voice. Kind of a Howlin’ Wolf tribute and Tom Waits rival. The best part of his singing, though, are the bits that squeak out in between words; his breathing has a sonic quality all its own.

Safe as Milk is a real winner, a very accessible debut for a band whose later album, Trout Mask Replica, tends to confuse a lot of first time listeners. But this is before the days of Zappa, Antennae Jimmy Semens, and Zoot Horn Rollo and features a straighter, tighter Magic Band.

Not to say it won’t blow you away. Apparently this one was John Lennon’s favorite album in 1967. The first track hooks any listener, and nobody can ignore that overpowering vocal. Kickass guitar lines and tight rhythm n’ blues. But a hint of psychedelia; just wait til they get to Trout Mask! Try this one first, it’s a winner!

Also of certain note, in the movie, High Fidelity, Jack Black won’t sell a record to this poor guy who isn’t cool enough for him, but he sells it for $40 to his friend when he leaves. This is that record.


“Plastic Factory”

Abba Zaba!

Captain Beefheart

Gandalf (self-titled)

Gandalf

If you couldn’t tell from the album cover, or the Lord of the Rings band name reference, then I’ll just tell you – Gandalf is trippy, dude.

First of all, if you are into The Zombies, this album is essential for you. Just imagine The Zombs with a slower tempo and a big dangerous tape delay pedal. Also, Tim Hardin fans are going to have to pick this one up for the few tracks written by the mad folkster himself. The singing is delicate and light over slow deep bass grooves, but the band has the knack for swirling into this big dangerous sounding beat.

Like most properly psychedelic albums of this era, this one isn’t for everybody, but if you are feeling adventurous I would check it out. DJ’s will find a few good tracks from here that will fill out their set with the soulful psychedelia it’s been missing.

“Me About You”

“Nature Boy”

Buy Gandalf ‘the Technicolored

Todd Rundgren “A Wizard, A True Star”

A Wizard, A True Star

The suits at Warner Bros must’ve been scratching their heads with this one. Following the success of Something/Anything, Todd Rundgren was well on his way to becoming a superstar but he had something else in mind. The title of this album shows his wariness of his new found success. If Something/Anything was delicious bubble gum then A Wizard A True Star is delicious bubble gum with glass in it and Rundgren makes you like the taste of your own blood.

This album is the first of several of his more Zappa-esque experimental albums and an example of Todd refusing to stay in one genre (don’t worry, in 9 years he’ll write Bang On the Drum All Day which will remain on the radio until “Tubthumping” replaces it). A Wizard A True Star, is a bit of a slap in the face to his record label and a little self indulgent at times but the bottom line is that it works. It’s refreshing to look back at a time when musicians would turn their back on success and do whatever they wanted to musically before this behavior became cliche and annoying. (Clap Your Hands and Say Yeah! I ˜m looking in your direction). wink

This album deserves a few listens so be patient with it, there’s actually a lot of sincerity behind it and even a tribute to Motown! Your homework for the week is to listen to A Wizard, A True Star at least once a day in it’s entirety. Who knows? You might find a hit or two¦.make a game out of it, whoever finds the most hits wins!!!

“When the Shit Hits the Fan/Sunset Blvd”

Wizard For Sale

Todd Rundgren - A Wizard, A True Star

Dr. John “Gris-gris”

Gris Gris

In N’awlins, Gris-gris means voodoo. And on Dr. John’s debut album, you get the feel of what voodoo sounds like pretty quickly. I’m telling you! This album is an automatic freakout waiting to be put on your stereo.

I really love this album and just about everybody wants to know more about it when it spins. This baby is a raw classic and it has that real power that only the most authentic records have got… it draws you in, and keeps you there, and kind of scares you, and then it rewards you.

There are some great sounds on this record like that smooth organ, and the well applied touch of mandolin, loud percussion, chants, and growling, haunting lyrics. Read Richie’s liner notes to get a better idea of what this one’s all about.

They Call Me Dr. John, Known as the Night Tripper

Dr. John - Gris-Gris