Author Archive

John Cale “Vintage Violence”

Vintage Violence

I was listening to a Paul McCartney album the other day, thinking about how when you listen to his solo work, you can then go back and hear just what his contributions were to the Beatles. More likely, you don’t even have to go back, if the Beatles albums are as ingrained into your head as they should be. We get that same opportunity with John Cale and the Velvet Underground, listening to Cale’s brilliant Vintage Violence.

Granted, John Davies Cale left the VU after finishing their second album, but you can tell they missed out on a good thing. This record, unlike the surprising cover would imply, is a perfect pop gem. You might think you’d be getting into a full LP’s worth of Sister Ray type viola droning and electric mayhem, but Cale proves he’s got mad pop song skills to match his solid, driving piano stomping.

No doubt some of these songs should have been hits. That’s what we’re here for though; I’ve got ten bucks that says a song from this album ends up in the next Wes Anderson film (editors note: fail), and if I had to pick one I’d probably go with Amsterdam, certainly a competitor to The Zombs’ The Way I Feel Inside.

If you are into Brian Eno this is going to be very essential for you. John Cale would go on to create more wonderful music and produce some seriously classic albums, so get started here.

“Big White Cloud”

Available At Amazon

Captain Beefheart & His Magic Band “Safe as Milk”

Safe as Milk

We’ll be coming back to the more wild Beefheart stuff here in the future, but I thought we should start here. In case you don’t already know, the Captain’s got a hell of a voice. Kind of a Howlin’ Wolf tribute and Tom Waits rival. The best part of his singing, though, are the bits that squeak out in between words; his breathing has a sonic quality all its own.

Safe as Milk is a real winner, a very accessible debut for a band whose later album, Trout Mask Replica, tends to confuse a lot of first time listeners. But this is before the days of Zappa, Antennae Jimmy Semens, and Zoot Horn Rollo and features a straighter, tighter Magic Band.

Not to say it won’t blow you away. Apparently this one was John Lennon’s favorite album in 1967. The first track hooks any listener, and nobody can ignore that overpowering vocal. Kickass guitar lines and tight rhythm n’ blues. But a hint of psychedelia; just wait til they get to Trout Mask! Try this one first, it’s a winner!

Also of certain note, in the movie, High Fidelity, Jack Black won’t sell a record to this poor guy who isn’t cool enough for him, but he sells it for $40 to his friend when he leaves. This is that record.


“Plastic Factory”

Abba Zaba!

Captain Beefheart

Gandalf (self-titled)

Gandalf

If you couldn’t tell from the album cover, or the Lord of the Rings band name reference, then I’ll just tell you – Gandalf is trippy, dude.

First of all, if you are into The Zombies, this album is essential for you. Just imagine The Zombs with a slower tempo and a big dangerous tape delay pedal. Also, Tim Hardin fans are going to have to pick this one up for the few tracks written by the mad folkster himself. The singing is delicate and light over slow deep bass grooves, but the band has the knack for swirling into this big dangerous sounding beat.

Like most properly psychedelic albums of this era, this one isn’t for everybody, but if you are feeling adventurous I would check it out. DJ’s will find a few good tracks from here that will fill out their set with the soulful psychedelia it’s been missing.

“Me About You”

“Nature Boy”

Buy Gandalf ‘the Technicolored

The Who “Sell Out”

Sell Out

I often wish I had a chance to go back and rediscover the discographies from some of the classic groups, namely The Kinks, The Boys and The Who! Discovering Who Sell Out for the first time is a dearly missed experience.

If you are one of the lucky ones without any early Who albums, you are going to have a magnificent time checking out My Generation and A Quick One, but you will probably have the most fun with Sell Out.

The tunes on this concept album are linked with wonderful PAMS Radio London jingles and ad spoofs that are just as memorable as the tunes themselves. Although, it’s hard to compete with the scorching I Can See For Miles. Something about the way this song is framed here really makes it cook compared to hearing it on the radio or a Who’s best of.

Other fun bits include scattered musical hints of the masterpiece rock opera to be, Tommy, a Townshend-led version of Hall Of The Mountain King, and a good bunch of songs that make a perfect full-listen when you’ve got the time.

It’s available at a stunningly low price at the link below and comes in a nicely remastered package. Buy what The Who sells! You won’t regret it.

“Odorono”

It’s Smooth Sailing With The Highly Successful Sound Of Wonderful Radio London

The Who - The Who Sell Out

Steven Stills “Manassas”

Manassas

Check out the album cover. Now, that, is boss! It’s kind of grungy, got every player’s name just as big as the title; it’s almost as if they decided to call the album Manassas because it happened to already be on the photograph. To me, it says, “Look, the 60s are over, we’re not making some artsy album, we just got a kick-ass crew here and we’re going to play it straight up for ya.” Yup, got to give it up for that classic album cover.

I figured this would be a good album with which to introduce the country rock angle of this here blog. But Manassas (technically the band and album name) goes a bit beyond simple categorization here. The album is divided into 4 parts, as briefly described below:

The Raven
Imagine you walk into a bar, and the dudes pictured above are all rocking. Yeah, ok, great, another bar band. But as soon as you order your beer and take your first sip, you suddenly realize you’re not blabbing on as usual, and nobody else is either, because the whole audience, yourself included, is entranced with the bar band, who, to your ultimate surprise, has been teaching your heart to pump to a new rhythm.

The Wilderness
Where I’m from, the kids used to say the same thing all the time: “I like all music… except for classical and country of course.” Hate to say I may have been one of them, but things changed when I finally caught the country bug… and my music collection started to get a lot better too. If you find the need to skip this whole section, basically straight-forward bluegrass and country music, the album is still worth your while, but I wouldn’t skip this part for my life, nor would I recommend skipping it.

Consider
This is the part you want to be driving on the open road with. By the time we get to How Far, it starts to feel like a folk-tinged shadow of the first section, but by now we’re firm believers. Damn, I’m glad I got this album, we say. And we keep driving on with that long-reaching look in our eye.

Rock & Roll is Here to Stay
And just when we thought we had made it, Manassas puts the nail in the coffin. Just in case you were braindead for the previous fifty minutes, the 8:00 minute Treasure is here and will serve to remind you what is going on.

Typically, an album this ambitious just couldn’t be good. No way could they pull it off. But, damn it all, Manassas really hits the spot, and it sounds great today. It’s hard to imagine rock music that makes you feel so good it’s like you already knew the tunes, but this is it.

“Anyway”

Go on and Get it

Stephen Stills - Manassas

Nilsson “Aerial Pandemonium Ballet”

Aerial Pandemonium Ballet

My friend actually got mad at me for not telling him about this album sooner. I had always thought it was one of those private albums, that you love but don’t really mention to anyone. But, as it turns out, this one is best shared.

So here it is, ladies and gentleman, may I present, in the center ring, Nilsson! And his mash-up album (way ahead of its time), Aerial Pandemonium Ballet. When Harry hit it big with The Point! and his rendition of Freddy Neil’s Everybody’s Talkin‘ practically scored the entirety of Midnight Cowboy, he went back in the vaults and re-released his first two albums (Pandemonium Shadow Show and Aerial Ballet), only mixed together as one.

Nilsson was the Beatles’ favorite American recording artist and he pays them a fitting tribute in the bonus tracks with “You Can’t Do That” which every Beatles fan MUST hear. Also, I heard once that Mr. Richland’s Favorite Song was about John Lennon but I’m not sure if this is true; this was recorded well before the lost weekend.

Can’t recommend this one enough, especially if you haven’t yet heard Harry’s beautiful three-octave crooning or his cyclical songwriting skills. Some folks think the original two albums are better, which is fine, but this must be the first mash-up! Go Nilsson.

“Without Her”

One is a Number Divided By Two

Dr. John “Gris-gris”

Gris Gris

In N’awlins, Gris-gris means voodoo. And on Dr. John’s debut album, you get the feel of what voodoo sounds like pretty quickly. I’m telling you! This album is an automatic freakout waiting to be put on your stereo.

I really love this album and just about everybody wants to know more about it when it spins. This baby is a raw classic and it has that real power that only the most authentic records have got… it draws you in, and keeps you there, and kind of scares you, and then it rewards you.

There are some great sounds on this record like that smooth organ, and the well applied touch of mandolin, loud percussion, chants, and growling, haunting lyrics. Read Richie’s liner notes to get a better idea of what this one’s all about.

They Call Me Dr. John, Known as the Night Tripper

Dr. John - Gris-Gris

The Millennium “Begin”

Begin

When I put this record on for the first time, I thought I had made a mistake. I mean, I thought I put in the wrong disc or something. I literally stopped the album, and ejected it to make sure I hadn’t put in some modern hip-hop breaks record instead.

That’s how this one opens, with that monstrous drum beat you just can’t imagine coming out of 1968. But things change fast. Curt Boettcher, a record producer who worked with The Association, The Boys and others, set out to record the album of his dreams with Begin. And it’s very psychedelic, very sunshine-happy, and very rockin’ all at the same time.

Of course, it was a commercial failure, but that hardly matters now. Check this one out as it’s the kind of album that turns heads.

Good luck finding it on its own though. You’ll need to buy Magic Time, the 3-cd bonus track ridden release, which is great really, but I still wish it was available on its own.

“It’s You”

:) Vinyl Reissue | 2008 | Sundazed | buy from sundazed ]
:D CD Reissue | 2008 | Sundazed | buy from sundazed ]

Brian Eno “Another Green World”

Another Green World

There are four Eno albums that sort-of go together. These are his first four solo albums after leaving Roxy Music: Here Come The Warm Jets (1973), Taking Tiger Mountain (By Strategy) (1974), Another Green World (1975), and Before & After Science (1977). I could have chosen any one of these recently remastered digipak albums to review today (and probably will get to them all soon enough), but Another Green World jumps out at me first every time.

Don’t expect ambient, experimental, exclusively electronic non-music or anything you have previously associated with Eno’s incredible body of work. This album, as well as the others listed here, is part of Eno’s pop-rock masterpiece phase, at once a listenable rock album and a piece of certifiable Eno art.

The first time I heard this record though, I was really digging it, until Brian started singing. But rest assured, you will learn to love and appreciate his vocal style, as much as you will learn to love each “sound painting” arranged within this perfect album.

Also of note, this album synchronizes excellently (a la Dark Side of the Rainbow) with the 1984 Disney film Where The Toys Come From. I forget exactly which “roar of the lion” to sync them up with, but that doesn’t really matter.

“Another Green World”

Get it

Brian Eno - Another Green World

The Kinks “Face To Face”

Face to Face

There are many reasons (many songs) why Ray Davies is my favorite songwriter. The main reason is best exemplified in Face To Face, not quite a concept album, but so on-the-line it ought to count.

Each song on Face To Face is its own little polished gem, a story or a feeling. You can really get lost in this album with its cast of characters. Face To Face is a miniature universe including some of the best songs the Kinks ever recorded.

The tunes aren’t about heavy things like relationships and love, or faith, or murder. They are about daily trifles, the things in life that we face so often: a phone call, a rainy day, a vacation, a house, or just lazing around on a sunny afternoon in the summertime. It’s got a great developed sound to it, with all the fuzz left over from their (superb) previous album, Kinks Kontroversy, but rounded out with some Mellotron and SFX. This album kicks off the Kinks’ “golden age.”

The bonus tracks are all excellent, as is the case for all of the wonderful Kinks reissues. I guarantee that if you give this album the proper chance, you will love it. 

Note: if you’ve ever listened to our podcast, you might recognize the storm fx sounds from Rainy Day In June, from this album.

Get it!