Archive for the ‘ Country Rock ’ Category

The Downliners Sect “The Country Sect”

| Country Rock,Garage

Country Sect

Sandwiched in between two great mod punk/garage blues albums and some classic singles is Country Sect, the Downliners Sect’s second album released way back in 1965. This is one of the earliest country rock records and most definitely the first by a British band.

When the album was released it met with critical backlash and was considered a commercial suicide. Listening to this music today, 40 plus years later, it sounds fresh and unlike anything in the country rock canon. Just imagine four or five drunk Brits playing their favorite old country and blues songs in the basement (essentially a monumental country album made in the garage with genuine redneck spirit) but with focus and intensity.

The intensity reaches a peak with an excellent country blues cover Rocks In My Bed. This composition is raw as hell and feature’s some old fashioned piano and crazied Don Craine screaming. Hard Travellin’ is similar in mood and is a life affirming sh*t-kicking country rocker. Also, Ballad Of The Hounds, Above And Beyond and Wait For The Light To Shine really capture that backwoods sound effectively and some other numbers are even augmented with banjo and washboard. They throw in a sensitive folk-rock protest number with Little Play Soldiers and hark back to their British Invasion roots with the mysterious, uncertain Bad Storm Coming.

These guys were really one of the ultimate punk bands; they did what they pleased and made no apologies. You can hear and feel this attitude throughout the album. Country Sect is so special, so different, it’s the kind of record that is misunderstood more often than most. Give it some time though and you’ll hear why musicians like Billy Childish rave about the Downliners Sect and this superb album.

“Bad Storm Coming”

[ Buy from Amazon ]

The Beau Brummels “Triangle”

| Country Rock,Folk,Pop

Triangle

The Beau Brummels hit it big in the early 60s with their hits “Laugh Laugh” and “Just A Little” which were produced by Sly of the Family Stone. As English as they tried to appear, they were an American rock band hailing from San Fransisco.

I wholeheartedly recommend that you check out their early material, especially a record called From The Vaults, but it’s their adventurous and refreshing 1967 Triangle that steals the show. Sal Valentino is the voice of the Brummels, a vox of raw power and vibrato, certainly a highly unique voice that matches an almost unclassifiable and surprising album. Triangle has everything: it’s a tightly produced country record that is rooted in rock; it’s straight and folky and underlined by psychedelic imagery.

The production always drew me in on these records. By records, I mean, if you like this one, you’re in luck because there’s also Bradley’s Barn, a sequel of sorts to Triangle that was recorded in Nashville with some exceptional picking and production. Sometimes modern music can sound over produced – Bradley’s Barn and Triangle are like that, but in an inviting, interesting way, rather than a glossy, manufactured way.

Merle Travis’ “Nine Pound Hammer” is masterfully covered on this record, the most inventive version I’ve heard and one that always catches bluegrass audiences by surprise. Songs like the excellent “Magic Hollow,” “The Wolf of Velvet Fortune,” and “Painter of Women” are songs you’ll never hear anywhere near a record deemed “country.” Other’s, like Randy Newman’s “Old Kentucky Home” and “Are You Happy?” are straight up good timers.

Pick this one up, it may take a little getting used to, but it’s well worth it. The Beau Brummels are a seriously underrated treasure. Note to Beau Brummel fans: you’ll be wanting this.

“The Keeper Of Time”

[ Buy from Amazon | iTunes ]

Moby Grape “Moby Grape”

| Country Rock,Folk,Pop,Psych

Moby Grape

Moby Grape’s debut encapsulates the frantic power and inspired genius of the group in the brief moment that it existed. All members contributed songs to this explosive record, giving each song a fresh feel within the triple-guitar rock/country/psych Grape sound. The songs are quick, great, and perfect illustrators of the San Fransisco sound from whence they came.

The problem is, things practically fell apart for the Grape after their debut record; it’s widely reported that the talents of this great, legendary band fell prey to mismanagement. If the Jefferson Airplane were today’s “Strokes,” then Moby Grape were “The Vines” or “Jet” or whatever over-hyped carbon copy band the music industry could get on the shelves in the wake of the former. Their record company released five singles at once, trying to stir up an artificial demand. Worst of all, the mismanagement continues today with the Moby Grape name being held hostage by some guy named Matthew Katz (hence, the still exorbitant CD price). The 2007 reissue of this record from Sundazed has been halted as well, producing a stilted run of 180G vinyl lps that are going for hefty prices on ebay.

Following the recording of this record, frontman Skip Spence lost it Syd Barrett style and took an axe with him on a short rampage at his band member’s hotel before being committed to Bellevue Hospital. After his release, he would take off on his motorcycle, equipped in pajamas rather than leather jacket, on the way to record his magnificent, and only solo album, Oar.

But despite these unfortunate circumstances, Moby Grape’s eponymous debut remains well respected as one of the best albums of the psychedelic era, its sound still holding up extremely well. In fact, you may have even heard the sometimes classic rock radio-worthy Omaha. And while this powerful debut may be one of the best rock records of all time, the Grape managed to reinstate its spirit in moments over several more excellent albums during their frenzied life span.

“Fall On You”

[ Reissue @ Amazon ]

Maxfield Parrish “It’s A Cinch To Give Legs To Old Hard-Boiled Eggs”

| Country Rock,Psych

It's A Cinch To Give Legs To Hard-Boiled Eggs

Maxfield Parrish’s only album was released in 1972, well after the band had split up. Members from the great California band Kaleidoscope produced and played on this underappreciated record which was originally recorded in early 1969. Had this album seen release in 1969, it would have been regarded today, as an early, innovative slab of country-rock.

It’s A Cinch strongly recalls the Byrds’ Notorious Byrd Brothers/Easy Rider era or even the New Riders early material (great stuff!!), with strong songwriting, superb musicianship and a few nifty psych/space rock moves. There are some great, catchy acoustic rock songs in “Julie Columbus” and “Cruel Deception.”  The weirder creations, “The Widow,” an 8 minute mantra, and “The Untransmuted Child” work really well too. In particular, “The Untransmuted Child” is excellent, sounding like a trippy mountain hymn with hillbilly vocals, organ, harmonica and hallucinary guitar sustain.

Fans of the Byrds, Dillards, and Euphoria should not miss this one before it goes out of print forever!

“The Untransmuted Child”

[ Available as Import ]

EDIT: Read the comments below to hear the story direct from lead singer David Biasotti and some of the other folks behind the creation of this record.

Steven Stills “Manassas”

| Country Rock

Manassas

Check out the album cover. Now, that, is boss! It’s kind of grungy, got every player’s name just as big as the title; it’s almost as if they decided to call the album Manassas because it happened to already be on the photograph. To me, it says, “Look, the 60s are over, we’re not making some artsy album, we just got a kick-ass crew here and we’re going to play it straight up for ya.” Yup, got to give it up for that classic album cover.

I figured this would be a good album with which to introduce the country rock angle of this here blog. But Manassas (technically the band and album name) goes a bit beyond simple categorization here. The album is divided into 4 parts, as briefly described below:

The Raven
Imagine you walk into a bar, and the dudes pictured above are all rocking. Yeah, ok, great, another bar band. But as soon as you order your beer and take your first sip, you suddenly realize you’re not blabbing on as usual, and nobody else is either, because the whole audience, yourself included, is entranced with the bar band, who, to your ultimate surprise, has been teaching your heart to pump to a new rhythm.

The Wilderness
Where I’m from, the kids used to say the same thing all the time: “I like all music… except for classical and country of course.” Hate to say I may have been one of them, but things changed when I finally caught the country bug… and my music collection started to get a lot better too. If you find the need to skip this whole section, basically straight-forward bluegrass and country music, the album is still worth your while, but I wouldn’t skip this part for my life, nor would I recommend skipping it.

Consider
This is the part you want to be driving on the open road with. By the time we get to How Far, it starts to feel like a folk-tinged shadow of the first section, but by now we’re firm believers. Damn, I’m glad I got this album, we say. And we keep driving on with that long-reaching look in our eye.

Rock & Roll is Here to Stay
And just when we thought we had made it, Manassas puts the nail in the coffin. Just in case you were braindead for the previous fifty minutes, the 8:00 minute Treasure is here and will serve to remind you what is going on.

Typically, an album this ambitious just couldn’t be good. No way could they pull it off. But, damn it all, Manassas really hits the spot, and it sounds great today. It’s hard to imagine rock music that makes you feel so good it’s like you already knew the tunes, but this is it.

“Anyway”

Go on and Get it

Stephen Stills - Manassas