Author Archive

Moby Grape “The Place And The Time”

, | Classic Rock,Country Rock,Pop,RnB

The Place And The Time

If you’re not convinced Moby Grape were one of the hippest, baddest, realest, and rawest bands of the late 1960s then grab this new outtakes and live cuts compilation from Sundazed and try to explain otherwise.

The Place and the Time collects unissued recordings by Moby Grape and presents them more or less chronologically from 1967 to 1968 over 2 LPs. Side One combines auditions (“Indifference,” “Looper”) and demo cuts (“Stop,” “Loosely Remembered”)  with “Rounder,” an instrumental outtake from the sessions for the Grape’s legendary debut album. Side Two focuses on outtakes from the Wow album sessions, ending with a scorching version of Bob Mosley’s “Soul Stew.” Side Three rounds out later 1968 Grape demos, many of which would form the Moby Grape ’69 album, and Side Four includes a triplet of killer live cuts from 1968 – just listen to the overwhelmed crowd react to the onslaught of “Changes.”

I love the Sundazed mono pressings, but the stereo live cuts are particularly atmospheric; it puts you right on the stage with the band and hearing these tracks pressed to vinyl (for the first time in their sadly neglected lifespan) is a real warp zone. Moby Grape fans who haven’t picked up the recent reissues (where some of these are bonus tracks) should clamber to get on board with these discs, the recordings are rock solid in sound and it’s a treat to spin these dusty gems and listen to the mighty Grape tear shit apart.

“Soul Stew”

:) 180 Gram Vinyl | 2009 | Sundazed | buy from sundazed ]
:D CD | 2009 | Sundazed | buy from sundazed | amazon ]

uReview: The CCR Discography

, , | Country Rock,uReview

I gotta be honest. I grew up with a ton of Creedence, but I’m not exactly familiar with their LPs. My experience with the band comes largely thru massive classic rock radio exposure and the Chronicle I and II collections. Late last year Fantasy Records reissued CCR’s first six albums on CD and MP3, but I want to hear from you before I dive in:

[poll id=”3“]

Q. Give us your low-down on CCR. What was your runner up album?

Death “For The Whole World To See”

| Punk

For The Whole World To See

Death’s 1974 demo album, released for the first time last month on Drag City, is rupturing the walls of the reissue scene, partly due to the recent NY Times article and its aftermath, but mostly for their obvious claim to one of the first slots in the history of punk.

Death was brothers Dannis, Bobby, and David Hackney, who started off playing RnB but switched to aggressive power-pop after witnessing an Alice Cooper show. Their after-school garage practice sessions soon yielded a trio that was tight, ferocious, and way ahead of its time.

The brothers managed to get signed by Groovesville and even got as far as Clive Davis’s interest but refused to change their name from Death for more commercial opportunity. In 1976, after a dissolution with their record company the Hackney brothers pressed 500 copies of their single: “Politicians In My Eyes” b/w “Keep On Knocking,”  reportedly trading  for $800.  Sadly, brother David, the group’s spark and fervent leader passed away in 2000, too soon to get the recognition he knew would one day come.

Bobby Hackney’s sons, members of Rough Francis, are responsible for digging up the old demo tapes that would become For The Whole World To See, and promoting Death’s music in their live performances. This is the kind of recording that’s usually only rumored about, a thing of legends. Listening to unearthed recordings is always magical, but when it’s something as blisteringly hot and grossly unheralded as Death, the experience is flat-out jaw dropping. 

Thanks to all who sent this in. Death’s record is a mind blower on first listen and a clear early contender for reissue of the year.

“Politicians In My Eyes”

:D CD Reissue | 2009 | Drag City | buy from drag city | amazon ]

Fred Neil “Fred Neil”

| Folk,RnB

Fred Neil

From the clatter of the Greenwich Village 60s folk scene came a voice that was inspired, authentic, and extraordinarily deep. Freddy Neil had one of those unmistakable voices, a baritone that could rumble your brain and leave cracks in your spine. Add to that the skills of one of the better blues-folk songwriters; his songs were covered by Karen Dalton, Harry Nilsson, Jefferson Airplane… anybody who knew their stuff.

Released in 1967, Fred Neil is moody, soft, and dark, but shimmers in beautiful electric sound. It lives within the pinnacle of styles from which Freddy would draw his influence: Brill Building chops, cold hard blues, good old folk song, and raga spiritualism. The ten original compositions heard here are masterpiece quality pens. “Everybody’s Talkin'” would put the voice of Nilsson forever in popular knowledge thanks to Midnight Cowboy; Fred refused to sing for the movie and his unornamented version is a refreshing listen. Neil harbored a genuine love for dolphins, championing their causes throughout his life, and recording his dreamy ode to open the record. I harbor a specific love for the bluesy standard, “That’s The Bag I’m In” and songs like “Faretheewell (Fred’s Tune)” are too precious for my description.

Neil was a father figure to many integral players in the folk, blues, and rock movements, cited as an influence by folks like David Crosby and Bob Dylan. Go grab this essential LP if it isn’t already in your collection.

“The Dolphins”

:) Original Vinyl | 1966 | Capitol | search ebay ]
:D CD Reissue |  200 6 | Water | amazon ]

Hot Top 5 1960s Music Videos

, , | Video

HAAA, look at this. Our 1960s video list wound up in the hands of Sergio from Infomania on Current.tv and well, just watch…

 

Check out our original post and let us know about your favorite pre-mtv vids below.

**************************************************************************************

Before MTV revolutionized the music video format, rock & roll videos were mostly lip-synched reenactments or television appearances. In rarer instances, the filmmaker would push the limits to create an artistic match to the audio it intended to promote (‘promo clips‘). Here’s our 5 favorite pre-MTV promo clips, each with a video as boss as the song:


5. The Animals – House of the Rising Sun (1964)
This is on the line as it’s a studio lip-synch, but there’s something going on here. Clever camera angles that show the roles of each band member, stoic pacing around the studio, Alan Price pulsating on the Vox Continental, and Eric Burdon’s ice cold performance show this to be an inspired rock video, one of the earliest made.


4. The Kinks – Dead End Street (1966)
After writing the huge Kinks hit, Sunny Afternoon, Ray Davies wanted to write about something a little less sunny and came up with Dead End Street, a fantastic hard-edged single. They got to ham it up for this film, though the BBC refused to show it when they found their antics mixed with Great Depression photos to be in “poor taste.” It’s not hilarious today, but it was one of the first music videos to introduce a plot, of sorts.


3. The Masters Apprentices – Buried And Dead (1967)
This was a pioneering promo clip in Australia’s 1967, influencing many other bands to release videos for their songs. Slow motion and choppy edits of live footage are interspersed with a DIY back-story. This gritty little film nicely captures the feel of the song.


2. The Beatles – Rain (1966)
There’s not a lot of depth here (just the Beatles acting casual, digging their song), but the direction by Michael Lindsay-Hogg, is iconic in style. This clip has everything a traditional music video has like rhythmic back-and-forth edits and trippy B-roll of the band. Stands out amongst the crowd as the fab4 always did.


1. Bob Dylan – Subterranean Homesick Blues (1966)
Little needs to be said for the classic D.A. Pennebaker film that would elevate the promo clip to an artform. Bob Dylan drops increasingly inaccurate cue cards while Allen Ginsberg chats with Bob Neuwirth in the background in this groundbreaking piece of musical cinema vérité . It’s an all-time classic, recognized and imitated the world over.


Q: Let us know about your favorite 60s music videos.

Reg King (self-titled)

| Classic Rock,Pop,RnB

Reg King

Reg King belonged to the Action, Mighty Baby, Blossom Toes,  B.B. Blunder family tree, leaving the Action before they became Mighty Baby and performing with (ex-Blossom Toes) B.B. Blunder after releasing this acclaimed and rare solo record.

Members from the bands above would form the backbone for this project, recorded over three years and guesting Stevie Winwood on keys. The Action had cut their teeth covering Motown soul during the mid 60s and those influences had not gone amiss for this LP, albeit through distorted guitars and stoney jams. The leadoff track “Must Be Something Else Around” is a blistering slice of hard English rock that probably gave Led Zep a brief jolt of anxiety. “That Ain’t Living” has the explosive impatience of certain tracks I know from The Action, but add this album’s key ingredient: raw and relentless blue-eyed soul, propelled by Reg King’s voice – probably the best of the British hard-rock-soul singers.

It’s not a grand slam on the other hand. I’m not much of a blues-hound, so “Down The Drain,” or six-minutes of predictable blues doesn’t do it for me. But “That Ain’t Living” pushes hard through a fully worthwhile six of spirited rock. There are a couple less memorable tracks, but the good hooks make this record worth a spin. Perhaps a good introduction to the Action family tree .

“Must Be Something Else Around”

:D CD reissue | 2007 | Circle Records | Reg King ]
:) Original Issue | mega rare | search ebay ]
8-) Spotify link | listen ]

PODCAST 10 Rain

| Podcast

trs podcast

Running Time: 33 Minutes | File Size: 48.6 MB
Download:  .mp3
To subscribe to this podcast: https://therisingstorm.net/podcast.xml [?]

It took one year and 14 days but we made it to ten!

PLAYLIST

The American Dream “Untitled Demo” (The American Way?) (source)

The Spades (13th Floor Elevators) “We Sell Soul”

The Kinks “Rainy Day In June”

Fred Neil “Just A Little Bit of Rain”

The Savages “Intro/Poor Man’s son”

Rising Storm “The Rain Falls Down”

The Action “Something To Say”

The Idle Race “Morning Sunshine”

Closers

The Beatles
THE BYRDS (forgot to list them originally)
The Pretty Things
Link Wray

uReview: Steely Dan “Can’t Buy A Thrill”

| Classic Rock,Pop,RnB,uReview

Can't Buy A Thrill

[ratings]

The perfect musical antiheroes for the Seventies. –Rolling Stone

“Think of the Dan as the first post-boogie band: the beat swings more than it blasts or blisters, the chord changes defy our primitive subconscious expectations, and the lyrics underline their own difficulty…” –Robert Christgau

“Steely Dan gargles my balls.” – Seth Rogen’s character in “Knocked Up“

Q: What’s your take on Steely Dan’s 1972 debut?

8-) Spotify link | listen ]

Read the rest of this entry »

The Red Krayola “God Bless the Red Krayola and All Who Sail With It”

| Art,Psych

God Bless the Red Krayola

Sued by Crayola for naming rights, this is the band’s first album under their new ‘Krayola’ moniker, a stripped down follow-up to their debut record, the freaked out Parable of Arable Land. Actually it’s a remake of a rejected (by International Artists) 2nd album called Coconut Hotel. Mayo Thompson essentially pasted together a daring audio collage with amateur musicians, dada lyrics sung by choruses of friends, original (opposed to ‘ found’) sounds, a little Texas grit, psychedelic glue, and it holds up well today.

I love how the band continually loses the rhythmn on “Sherrif Jack,” teasing any possibility of a groove, eventually bringing back the ‘Say Hello To Jamie Jones’ motif when things fall apart. Tracks like “Big” are really ahead of its time with the unintelligible childspeak sample and organ, bass, guitar trio playing a scarcely organized sample-and-hold pattern. Short songs make the album really tolerable and engaging, an enjoyable trip that would influence countless lo-fi and bedroom musicians for years to come.

This album reminds us that music doesn’t have to be perfect, it doesn’t have to be serious, and you don’t have to be a virtuoso to record a fantastic record.

“Sherriff Jack”

:D CD Reissue | 2CD w/ Parable | 2007 | Snapper | buy at amazon ]
:D CD Reissue | Mini Gatefold Limited Edition | 2003 | Sunspots | buy at amazon ]
:) Original Vinyl | 1968 | International Artists | search ebay ]
8-) Spotify link | listen ]

Jerry Jeff Walker “Bein’ Free”

| Americana,Country Rock,Folk

Bein' Free

This one, his 4th solo, was recorded after Mr. Bojangles, Driftin’ Way of Life, and Five Years Gone. He would imprint his legacy on the next one, Jerry Jeff Walker (an Austin masterpiece), but bridge from his drifter-folk career with Bein’ Free, by no means just a three star record.

He kicks it off with a customary party track, “I’m Gonna Tell On You.” This song embodies the “gonzo” sound, with a crew hollering background choruses and one-liners, a perfectly loose feel, boozy grin on your singer’s face. “Stoney.” “Nobody’s.” “But For The Time.” Hard not to fall for the heartfelt Jerry songs. “Harmonica Talk” is pretty awesome, a trio of hambone, jaw harp, and harp riffs. “Please Let Me Be” is especially interesting with sandpaper blocks, harpsichord, and some fantastic pipey (synth?) sounds I can’t even make out.

“Some Go Home,” one of “Jerry Jeff’s train songs” was the track that got me early on; JJ’s no slouch on a storyteller and this is kind of a precursor to “Desperados.” Bein’ Free is a special album, the kind that benefits from vinyl’s hum and crackle. I’m sure the CD sounds just fine.

Q: Any other fans out there? Care to list your top three JJW songs or records?

“Some Go Home”

;) MP3 Album | download Bein’ Free ]
:) Original Vinyl | 1970 | ATCO | search ebay ]
8-) Spotify link | listen ]