This is the first Kinks album where I love every song. When you really fall for a band, their formative material starts to gain new ground as you listen closer; you can hear the bedrock for the more developed music that would come. While the “Kinks” debut, which is loaded with cover versions, doesn’t really do it for me, “Kinda Kinks” flat out kicks.

The punchy fill opening up Look For Me Baby (just listen to this song!!) kicks off an understated but growingly catchy Kinks klassic. As stripped down and simple as these early numbers are, they retain a sort of modest perfection. Ray Davies would add brilliant turnarounds, prechoruses, and bridges to string his multi-part compositions together in later works, but the simplified structures herein support the raw Kinks sound and energy present on each track (making even Dancing In The Street worth the ride).

Nothin’ In The World Can Stop Me Worryin’ Bout That Girl has become an important gem for the Kinks, overlooked by many until Wes Anderson’s Rushmore popularized the track, as well as the Kinks, to a new generation. The liner notes to the Rushmore soundtrack suggest that the filmmakers considered scoring the entire film with Kinks tracks, which would have been fantastic (though the soundtrack as is would have been dearly missed).  So Long is a similarly acoustic wistful track (see Podcast 9) with that mellow side stick rhythm.

The guitar sounds on Kinda sincerely thrills me: a clangy, tinny, rambunctious mess, perfectly executed. Dave Davies was on top of his game. Come On Now, Shouldn’t Be Sad, Got My Feet On The Ground are smokers. Something Better Beginning is another well received ballad, one of the tracks reviewers will cherry pick from this underrated album. It’s not a mind blower, but it’s a dam dependable slab of good solid music, benefiting from the developing skills of one of Britain’s most celebrated groups.

Maybe you’ll agree with critical reviews out there that the Kinks weren’t making “cohesive” albums yet, but one great track after another the whole record through is cohesive enough for me.  The 2004 CD reissue of Kinda comes highly recommended, includes 11 excellent bonus cuts with many of the tunes available on Kinks-Size and Kinkdom, and restores the original UK track lineup. Unfortunately, you’ll only find one track from Kinda Kinks (Come On Now) on the newly released Picture Book box set.

“Look For Me Baby”

CD Reissue | 2004 | Sanctuary | amazon ]
Original Vinyl | 1965 | Pye | search ebay ]

So much is made about the Kinks’ “Golden Age” from the years 1967-1972. Don’t get me wrong, I’m guilty of loving these records all day and night, but when the Kinksdust settles, you find that the years 1964-1966 were an especially powerful Kinkstime too. The newly released Picture Book box set only does a cursory job of representing this material.

“Kinks-Size” and “Kinkdom” were not official album releases, but like the Great Lost Album they were American label releases containing excellent material and superior track line-ups.

Kinks-Size was released in March of 1965 by Reprise in order to capitalize on the big albumless hits, Tired of Waiting For You and All Day And All Of The Night. Louie Louie, I Gotta Go Now, Things Are Getting Better, and I’ve Got That Feeling came from the British EP “Kinksize Session” (clearly an inspiration for this album’s title), while I’m A Lover Not A Fighter and I Gotta Move were originally on the All Day EP. I’m A Lover and Revenge were shelved cuts from the “Kinks” debut. Come On Now was a track from their upcoming 2nd official album “Kinda Kinks.”

Kinkdom was released in November of 1965, three months after Kinda Kinks. This release comprised tracks from the British EP “Kwyet Kinks” (A Well Respected Man, Such A Shame, Wait Till The Summer Comes Along, Don’t You Fret) as well as some of the best unreleased (in the US) British singles (Never Met A Girl Like You Before, See My Friends, Who’ll Be The Next In Line, It’s Alright). Naggin’ Woman was an unreleased cut from the UK edition of “Kinda Kinks,” and Louie Louie is repeated from “Kinks-Size,” an inexplicable move by Reprise.

These albums best represent the scorching sound of the early Kinks, appropriately ravaged by Shel Talmy’s untrained production style with songwriting strong enough to bolster the genius of Ray Davies. Don’t waste your money on incomplete box sets. Nothing the Kinks recorded should be considered extraneous.

Kinks-Size

“I’ve Got That Feeling”

Kinkdom

“Wait Till The Summer Comes Along”

Orig Vinyl | Kinks-Size | 1965 | Reprise | ebay search ]
Orig Vinyl | Kinkdom | 1965 | Reprise | ebay search ]